Blog zu meinen Erfahrungen mit Indie-Spielphilosophie in der Borbarad Kampagne

 Ich habe einen separaten Blog aufgemacht, um dort meine Erfahrungen beim Leiten der Sieben Gezeichneten Kampagne (G7 oder 7G oder auch Borbarad-Kampagne) zu teilen. Die Kampagne ist ein Meilenstein der deutschen Rollenspiel-Geschichte. Sie ist in den 90ern erschienen und ein wahres Mammut-Werk. Über das Hauptwerk hinaus, wurde sie mit einem innerspielweltlichen Magazin begleitet und nach Erscheinen immer weiter von der Spielendenschaft ausgebaut und bereichert. 

Ich habe die Kampagne mit mir vertrauten Indie-Spielprinzipien in den letzten Jahren geleitet und zum Abschluss gebracht. Im Blog Indie 7G beschreibe ich wöchentlich von meinen Erfahrungen. 

My RPG work

My name is Gerrit and I'm a TTRPG and LAOG designer. Are you interested in the games I have designed? Have a look into this post. If you are interested in an exchange with me about your or my design? Join the Gauntlet community, engage with me on Twitter or join the Facebook group on Remote, Digital Larps and Live-Action Online Games. 

My RPG statistics for 2020 and 2021

 This is how my RPG and LAOG / larp life looked like in the last years - in numbers. Follow me on a statistical ride, based on the form I'm using to track information about the sessions I played. Since I missed posting about the stats for 2020, this is looking back at two years. More so, since I'm now doing stats since 2015, I have now 7 years I can compare with each other. Sounds like a decent time series, doesn't it? 

Surprise, surprise, my gaming moved online over the pandemic. Also, I played a lot less. From the all-time-high in 2017 with 370 hours of gaming, I'm down to 130 hours in 2021. That still sounds like enough to me. The stats nicely show that pandemic times weren't a drastic shift in gaming. Quite the opposite, my gaming has been mainly online since 2017 - when we had moved to Guatemala.  I'm a fan of playing online: the variety of people I can play with, the setup, the commitment to logistics. 

All the following figures are percentages in gaming hours - not counted in sessions. Which means that longer sessions have a higher weight. That seems to me to be the more useful stat as more time usually also means higher importance and hopefully more joy.  

Tuk Fast Tuk Furious - Gedanken zu einem schnellen Wettrennen-RPG

Tuk Fast Tuk Furious ist ein kurzes Erzählspiel, das in dreißig bis fünfzig Minuten gespielt werden kann. Es geht um ein aufregendes Rennen von sogenannten Tuktukeros, den Fahrerinnen und Fahrern der dreirädrigen Vehikel, die in verschiedenen Ländern der Welt meist als Taxis fungieren.
In diesem Artikel (zuerst veröffentlicht auf Erzählspiel-Zine, hier noch aktualisiert und ergänzt), beschreibe ich den Entwicklungsprozess des Spiels und teile meine Design-Gedanken. 

Three Forms of LAOGs

In this article, I present a categorisation of LAOGs - depending on how they make use of the communication channels in place. I identify three different forms: The Diegetic Call, The Invisible Call and The Metaphorical Call. Let me take you on this journey of design exploration. Then make up your own mind how your experience fits or does not fit into this picture. 

An Overview of existing LAOGs - Live Action Online Games

Live action is for everybody. Larping online makes larping accesible to a completely new audience, makes it much easier for people with kids, financial,  mental or physical constraints and allows for a truly global audience at a minimum of environmental costs.

It's time to list all the existing games (of my knowledge) and where to find them. [EDIT: So many larps have been transitioned to be played online due to the Corono-crisis, I can't list them all but will focus on those with interesting design choices specifically for online play.]

My RPG year 2019 part 2: Statistics and insights I

Playing Makeup Moments in 2019

In the following I dive deep into the statistics I made around my gaming in 2019. That is much more than a count of sessions. I compare with the four previous years on what genres I played, with whom I played and many other sometimes surprisingly interesting insights I find in this data. Come with me, have a look at how I played and maybe reflect on your own patterns and how they might have changed over time.